Now Cincinnati.com has gone and done what the interweb is made for. They've grabbed info from a bunch of different sources - Microsoft's VirtualEarth, the best views report, and some original photography - to allow us a chance to go through all the views without ever getting up off our backsides. They've got an interactive map with clickable points for each view, leading you to a description and photo of the view.
I would embed this video if I could, but CNN doesn't seem to allow it.
Last year a couple of students told me they were planning their senior prank - they were sophomores at the time - and were asking my advice. I gave them these bits of advice:
Make sure nobody gets hurt.
Make sure no property is irreperably damaged.
Be willing to clean up whatever mess you make.
If you do that, you'll probably get away with a slap on the wrist, especially if it's funny.
This guy at Hillard Davidson (and oddly his girlfriend from Hilliard Darby) followed all those rules, came up with a really entertaining prank, and seems to be getting a bit more punishment than seems reasonable. The basics of the prank are that Kyle Garchar plotted out the words You Suck in black and white posters in the Darby stands. He and his girlfriend - seriously, she goes to Darby, I don't get it - set up the prank. They had everybody in the stands hold up their posters at the designated time, fully expecting to spell out "GO DARBY" but to no avail.
Their punishment?
Fully reasonable - three days in-school suspension. For good kids, this isn't all that horrible a punishment because they'll just spend the three days doing their work or reading. Simple enough.
But they also got banned from all school events for the rest of their senior year - all sports events and, I assume, prom. That seems kinda severe for what they pulled off. Ingenuity like that should be rewarded.
Here's the only YouTube video of the event that I can find. It's far less detailed than the above CNN link, but at least it'll embed:
The Girl and I - and the other family we hang out with a bunch - are heading downtown tonight for a double feature of Finding Nemo and Jaws. They're playing on the big video board above Macy's, and the sound'll be pumped throughout the redesigned Fountain Square.
Weather's supposed to be nearly perfect, and if they're going to throw down as entertaining a pairing of flicks as I can think of, then I'm all about supporting the downtown renaissance.
It's totally free and you can bring your own dinner and drinks.
In a last week before summer kinda celebration, The Girl and I headed down for our semi-annual downtown lunch celebration. We're both displaced from the city - by choice and job location, admittedly - and like to head into town any time we can just so we don't feel like total deserters.
On this late-summer trip, we started in Mt Adams, wandering around one of the highest points in Cincy on a hundred-degree day. It was certainly warm, but the views were gorgeous. From there, we headed into Eden Park for the Art Museum - which, it turns out, doesn't open until 11 am - we got there at 10. So down into the heart of the city, to a stop at the gorgeous main branch. Onward a bit further downtown to the find of the day - Bistro JeanRo on Vine Street, just below Tower Place.
Bistro JeanRo is labeled as a Cincinnati French Bistro, but I didn't see much Cincinnati in there. Instead, we were treated to a spectacular lunch of a croque monsieur (for The Girl) and a croque madame for me. Beside a healthy serving of marvelously crisp and flavorful pommes frites, I was served a marvelous concoction of ham and swiss on two perfectly butter-toasted slices of bread, topped with an egg over easy and a bechamel sauce. It can't get much richer and tasties than the croque madame. The sandwich - clearly eaten with a fork - was marvelous, tasty, hearty, a true find.
If you ever get a chance to drop down to JeanRo's, treat yourself to a croque monsieur deluxe. It won't get any better than that.
"You have to paddle really hard in the beginning, not so you can rest on your oars, but so that you can get down to real teaching and learning as soon as possible and actually get somewhere with your kids..."
Emily Wiley's commentary yesterday on All Things Considered, heard locally on WVXU and other stations...
She doesn't do a perfect job describing September (or August for lots of us) for teachers, but it's pretty close.
Check the sky tomorrow morning just before sunrise ('round 6am here in the Cincy area) when it looks like most of the US will be getting a full lunar eclipse. The ideal viewing areas will be more west coast than east, but that's life. To check the exact moment of most totality in your area, click over here and enter your relevant info. It's rare that we get this full an eclipse, so take advantage folks.
The Girl has a subscription to Cooks' Illustrated and their companion website. She's had the subscription for a number of years, and I absolutely dig the magazine...and the website...and their recipes...and pretty much the whole crue.
The recipes are really the thing, and they do some really cool stuff to create the recipes. It's this little thing called the scientific method, and it makes their recipes just about as foolproof as any that I've ever tried.
They start by defining the problem. For example, they might want to find a recipe for pound cake that is moist throughout, crusty on the outside, and strongly enough flavored that it can hold up to some fruit sauce.
Next, they do their research, checking out dozens of recipes from cookbooks and websites. They look for commonalities and sort of average out the recipes to make a simple starting place.
From there they adjust each variable up and down to see what the perfect amounts and procedures are. For example, if the recipes call for everything from one egg through three eggs, they'll make a half dozen cakes - identical in every way except they'll vary the eggs until they get that amount right. Then they'll move on to repeat the process with the flour. Then they'll adjust the type of flour. Through every ingredient - amount and type - through every procedure - adjusting the order, adjusting the length of mixing or whatever - they make dozens and dozens of the recipe until they've figured out the perfect recipe.
Then they write the whole thing up, including everything from their impetus to perfect the recipe through the process they went through to find it, and then finally the recipe itself. Sadly the website doesn't have the full stories like the magazine does, but I can safely say that between The Girl and I, we've made probably a hundred of their recipes, and there hasn't been a dud in the bunch. Everyone turns out exactly like they've promised.
Seriously, any monkey can make their stuff and make it perfectly if you just follow the recipe.
Plus they've got all sorts of science to back things up.
Check these clips from the show...
First, behind the scenes, part 1...
Then, there's behind the scenes #2...
Their recipe for blueberry cobbler...
Some funny moments from the show...
Taste testing the best parmesan...
And I realize that I've blogged about these buggers before, but I'm highly impressed with them, so I'll do it anyway.
So we're gonna have breakfast at good ol' PHS this year.
We've finally reached whatever magical threshold of free and reduce lunch-eligible students that we're required to offer those students a free breakfast as well. Other students can get the same breakfast, but they'll have to pay for it. I knew this was coming back in the spring, but it was just a couple of days ago that I found out the details of what the kids would be getting for their breakfast - cereal bars and juice. Nothing too tough to cook each morning, and nothing terribly nutritious either, I'm guessing.
In a conversation not entirely surprising for me, I used this as a jumping off point (not intentionally, mind you - things like this just happen inside my brain) for considerations of how we might be able to get a little more nutrition into the breakfast. Maybe we could throw in some Pop Tarts, particularly of the blueberry variety so that the kids could get a little more fruit for breakfast.
Ah, but do fruit-flavored Pop Tarts really have fruit in them? And if they don't, how exactly would you label them to try to trick people into thinking they were truly fruit-filled?
In a world where food isn't cheese but it is cheesy...where Chik-Fil-A sells ice dream...where food isn't beef but it is beef-flavored, what is the best appellation for Pop Tarts that don't have blueberry in them (I can't find the actual ingredients anywhere on the web because the official Pop Tart website - while fun - is about as useful as toilet paper to a centaur)?
Would you call them...
Bluererry-y Pop Tarts - the addition of the extra y makes pronounciation tough
Blueberryesque Pop Tarts - a little more high-brow a version of the previous
Blueberryish Pop Tarts - and a little more low-brow
Pop Tarts Reminiscent of Blueberry - a little wordy but doesn't actually say there are blueberries in there - the definition just says it "bring to mind"
Pop Tarts with a hint of blueberry - you can give hints without really giving away the real food, the answers
Pop Tarts not entirely unlike blueberry - my personal favorite but probably a little obvious
Blueberry-Flavored Pop Tarts - lame, predictable
Pop Tarts with the essence of blueberryness - what, though, really is the essence of a blueberry if not real blueberries - could be trouble
Pop Tarts that make you think of blueberries - it clearly doesn't say there are blueberries in there
Spike Lee has evolved into a truly amazing filmmaker. His initial films (Do the Right Thing, Jungle Fever, School Daze, Malcolm X) are impressive, don't get me wrong, but all of those were so strongly product of Spike Lee, that the message almost got lost in the hype, the style, the Mars Blackmanosity of the whole thing.
But Spike's late career work (25th Hour, Inside Man, and - most recently for me - When the Levees Broke: a requiem in four acts) shows that he has evolved so much further beyond where he started, that he is beginning to edge toward being mentioned in the upper echelon of greatest American directors of the last century. he has taken his persona, his previously-omnipresent personal style and subsumed it almost entirely when it better serves the story to let the words speak for themselves. Instead of Spike screaming into the camera with vulgarity after vulgarity, racial slur after racial slur, we get Spike sitting behind the camera and letting things roll, happy in his position of framer of the story rather than ranter of the tale.
Most recently, I saw this impressive maturation in Spike's sublime and painful HBO documentary, When the Levees Broke. I sat down this past week and watched all four acts, finding myself drawn more and more tightly into the world of the Katrina victims through the simple act of hearing them tell their tales. There were no fancy camera tricks, no tracking shots through the city, no scripted screaming at the screen (as Spike has used so powerfully - even recently in 25th Hour, though I can't link to it because of the strongly school-inappropriate language search for it on YouTube, really, Ed Norton does a hell of a job). Spike is, in fact, heard only once in the documentary's four hours when he prompts a subject to tell a little more of her story.
The documentary is amazingly well put together, beginning with the storm warnings and briefly tracing back the scientific community's previous attempts to warn the government of what could happen if a huge hurricane hit New Orleans. The first act continues through the immediate aftermath of the hurricane, while the second act covers the immediate aftermath - in the Superdome; on the expressways out of New Orleans; in the lower Ninth Ward; in the corridors of power where the state, federal, and local governments each attempted to both barge in and fall back, saving neither their backsides nor the lives of trapped New Orleans residents; and on the rooftops of New Orleans where so many people risked their lives to save those of the stranded. The third act covers the late storm repurcussions of New Orleans residents scattered to the winds and trying to find their families, returning home to ruined or missing houses, and beginning to consider rebuilding. The final act sees New Orleans host their first post-Katrina Mardi Gras, take on the insurance industry, and begin to lay blame - and there is much to be laid, at many feet.
Never does Spike give us an answer, however. He doesn't say what should have been done or who is to blame. He lets people of New Orleans tell that they believe that the government bombed open the levee walls to save more affluent neighborhoods, and he even shows that there is prescedent for that, but he also lets other people tell that the explosive sounds were from barges hitting the eye walls or even just from the walls themselves failing and being thrown back into the city they were built to protect. Spike seems to know that the tale is too big, too messy for any tidy answers, for any certain conclusions, so he never steps forward to offer even his opinions as to what he thinks probably was the case. (That's a problem I had a year or so ago with another documentary.)
We all know what happened in new Orleans with Katrina.
I knew. I'd seen it on the news and heard the stories on NPR.
But I didn't have a clue as to what it was like to be in New Orleans when Katrina came to town until I saw When the Levees Broke.
If you have the time, you could do a lot worse than sitting down to learn something by immersing yourself in this film.
The Cleveland State Vikings are changing their viking logo. Apparently the old logo wasn't exactly fierce enough - even though the new Lil' Vikings logo for all the Princetonelementaryschools was just changed to a logo remarkably similar to the CSU viking just a year ago.
Looks like it's a good time to get clearance CSU gear with the old logo on it.
And I know that I should have the red viking killing the green viking in the picture, but I'm too lazy to make my own graphics. I just steal them from various sites and do minor modifications. Deal...
And yet another post begins with "So I heard this story on NPR..."
Today's NPR-provided news is of Gordon Lee, founder of Legends, a comic book store in Rome, Georgia. According to the Comic Book Legal Defense Fund's website (more on that group later, by the way), the case comes down to this:
During Halloween week 2004, Gordon Lee’s comic shop, Legends, of Rome, GA, participated in a trick-or-treat event in downtown Rome by distributing free comics. "Alternative Comics #2," the Free Comic Book Day edition from publisher Alternative Comics for 2004, was inadvertently included in the mix of books being given away. The comic was a single copy among thousands of comics being given away that day, and was accidentally handed to a minor, whose parent filed a complaint with the police.
The comic book features a variety of stories from the company's line, including an excerpt from Nick Bertozzi's now published graphic novel The Salon, depicting the first meeting between Georges Braque and Pablo Picasso. On three pages of the eight page section, Picasso is depicted in the nude, a factually accurate detail for the period during which the story is set. There is no sexual content in the story.
Upon learning of the error in distributing the comic, Lee admitted that a mistake was made and offered to make a public apology for the first of many times. That apology was rejected, however, so days later, Lee was arrested.
Now upon initial reading, I wasn't entirely sure that such an action should be forgivable. The man gave a comic with nudity to a child - depending on when the details of the case were given - of the age of either six or nine or children of both. Perhaps the parents overreacted, for I certainly doubt whether seeing a comic book with a fat, nude artist in it would scar a child for life, but giving the kid a nuddie mag doesn't seem quite right.
Upon further reading, however, the law with which Lee has been charged sates that it is illegal...
(1) for “distributing a book, pamphlet, magazine, and printed matter containing pictures, drawings and visual representation and images of a person an portion of the human body which depict sexually explicit nudity, sexual conduct, and sadomasochistic abuse and which is harmful to minors;” and (2) for knowingly furnishing and disseminating to a minor materials “containing explicit and detailed verbal descriptions and narrative accounts of sexual excitement, sexual conduct, and sadomasochistic abuse and which taken as a whole is harmful to minors.”
...doesn't seem in the least to describe a graphic novel (note the change in terminology there...it's subtle but powerful to use semantics in the argument, I'll admit) that lacks sexual content and retells a historically-signficant (in the art world, at least) event which happens to involve a rather gnomish, naked man.
The prosecution changed the charges on the eve of the April, 2006 trial.
Prosecution changed the charges a second time in special session of the Grandy Jury without notifying the defense team.
Lee has a history with this prosecution office:
In fact, this is not his first run-in with a Georgia obscenity law. In a 1993 case, Lee was convicted of selling a pornographic comic book to an adult. In the process, says Cadle, who defended him in that case, police illegally seized hundreds of “obscene” comic books, and refused to return them. Cadle sued the city and the district attorney’s office on Lee’s behalf and won an $18,000 judgment along with a court order requiring the return of the books. “I think what we’re seeing today is in part retaliation from them,” says Begner. Paterson denies this, saying that she did not work on the 1993 case and that the prior conviction is only significant as an aggravating factor. Cadle did not comment on possible retaliation, saying only “I think [Lee] would be possibly facing a stiffer penalty if convicted. You’d rather take a client into court who has no record.”
...but the fact that one prosecutor has acted oddly and is pursuing a case that seems, at best, overly harsh if not downright spurious.
Instead, the part that truly bothers me is in the continuing erosion of our freedoms that we see happening all around us. The text of the first amendment is simple, and it is something that should be memorized and learned by every person in the United States. It is probably more important to know and defend the following words than it is to be able to quote the first lines of the Declaration of Independence or the Constitution Itself:
Congress shall make no law respecting an establishment of religion, or prohibiting the free exercise thereof; or abridging the freedom of speech, or of the press; or the right of the people peaceably to assemble, and to petition the Government for a redress of grievances.
Thankfully there are a few organizations out there that regularly fight to defend the first ammendment.
We all need to remember that any erosion of our freedom that doesn't happen to catch us this time just lays the ground work for our own freedoms to be taken later down the road.
I'll close today with a plea from Jim Lee for donations to the CBLDF. So get out there any buy a t-shirt or something, folks.
And thanks, by the by, to any friends and fellow bloggers who might've pushed the limits themselves last year.
>Superman/Batman - Enemies Among Us - Love the whole Superman/Batman thing...the series rolls along like few comic series that I've read in a long time with loads of touches and tips of the cap to the old school comics (Absolute Power & With a Vengance, especially...this arc, though, stunk...random characterization throughout...weird switch of artists midway...overly saccharine ending of Batman & Superman realizing that they really are friends - in spite of the whole Infinite Crisis hullabaloo...I miss Jeph Loeb... Superman & Batman vs Aliens & Predator - no better...in fact, even worse...the whole concept of Superman & Aliens never really worked...Batman/Predator at least did for a fair while...then things just got ridiculous...in this one, Superman & Batman bumble on a cache of Aliens & Predators, both of whom have been living deep within a volcano for centuries, evolving and hunting each other...but the American Government needs to nuke the site - at this very moment...Superman, stupidly-written boyscout that he is, has to save the two races...moronic...poor...weak artwork...here's to hoping that the concept of throwing DC in with Aliens/Predators has finally died...
JLA - Tornado's Path - it feels like the Justice League...where the last series had clearly run its course, this one feels good, old school...the Tornado's dead (again), and the JLA has to pick up the pieces...it's like we've been through this before, but it's good, familiar ground to tread...genius idea by Metzler to start with this old chestnut...and the team just falls together around the new threat that isn't quite revealed in this collection...and the opening issue with Batman, Superman, and Wonder Woman picking the team is absolutely perfect...then at the end of the whole trade, they've given up that control to the group that's come together by happenstance...it's so right...it feels good to have them back together again...
Civil War: X-Men Universe - collecting some bits and bobs from X-Factor and Cable & Deadpool...surprisingly entertaining, especially the Deadpool bits where his internal monologue was having some trouble...the Cable parts of the story were a bit preachy but fit with the character...I even enjoyed the X-Factor stuff...interesting characters like the little girl who can tell the future, leader who doesn't know if he should really be the leader, neat support crew...if I were a Marvel guy, this is a series that I think I'd be following 'cause so much of the rest of the X-Universe is a mess...
Digging the Super Paper Mario (henceforth SPM) for the Wii...feel free to check the trailer above (or at the link)...The Girl and I rented SPM to check it before buying it...aweseomly cool game...very neat features that are totally new to the Wii...kind of hard to explain, but you're wandering a 2d world like a normal Mario game, then by hitting the A button, your 2d Mario turns 90 degrees into the third dimension and is able to step in front of or behind what would normally be hinderances to him...it's a mix of simple Mario game - wander from left to right, find coins, stomp mushrooms and turtles, etc - and a puzzle game where you have to do certain actions in certain orders to get to the next part...loads of fun for players of all ages (my younger niece was in to visit, so I have anecdotal evidence)...the only beef I had was in the framing device - stupid story about badguy kidnapping Mario's friends...the between-level animations are impossible to skip, and the there's a whole lot of text to read, some of which seems important enough that you can't skip right through it...if you're willing to hit the buttons a bunch of times and halfway pay attention to get back to the next level, it's a wonderful game...sadly, I didn't buy it because I got halfway through it (solving the first four levels) in about twelve hours of play spread over five days...at that point, it didn't seem like a good investment to drop another $30 to own it and probably solve it in a week or so...loads of otherreviewers agree, strong buy on this one...
Rant:an oral biography - new Chuck Pahlniuk means new reading for me...I've read six of his books now, and four of them (Fight Club, Diary, Haunted, and Rant) are among the finest books (IMHO) of the past couple of decades...the others - Choke & Lullaby - weren't awful, just not good...Rant is subtitled as an oral biography, which means that the entire story of Rant Casey - who we learn in the first chapter is dead - is told in bits and pieces by people who knew bits and pieces about him...the story switches through dozens of narators, each of whom reveals a little more about our subject...I got it as an audio book, and the premise worked marvelously - different voices telling bits of the story, different performers reading each voice...wonderfully well done...by the time the book gets rolling, the identities of each character seem to fade as you forget just who is telling you about Rant at the moment...in this way, Pahlniuk has written a book almost the way an impressionist would paint a picture - no one spot of paint is important, no one is the key, but the sum of the parts is near perfect...and the book's got a cool website, too...apparently Rant is to be the first in a trilogy of books about Rant Casey...if the others turn out to be this good, I'll be happy...
Ratatouille - love the Pixar films (didn't see Cars, admittedly)...in spite of the fact that they're pretty much all excellent, this one is - frighteningly to say, the best of their line so far...simple enough set-up - rat loves food, finds himself in Paris, wants to eat & cook...the movie's marvelous, and pretty much all the critics agree (averaging a 96 out of 100 on metacritic.com)...not a single missed note...near-perfect from start to finish...hilarious, touching, great ending...great acting, amazing animation from Pixar (not that it's a surprise at this point)...wonderful film - no extras after the credits, though...heads up there...
Ocean's Thirteen - better than the second one, still well below the fun of the first...first half of the film is boring - lugubrious, if you were more lexicographically inclined...they've eliminated all the eye candy (and horse face, too) for the boys in the audience leaving us with just the boys this time around...I mentioned to The Girl after the film that all the ring-a-ding-ding is pretty much gone...she agreed (in perhaps her greatest quick-witted comeback ever) that it had been rung...I've been fooled twice by these jokers, but this is it...I'll watch the first one again, but I'm done...the dialogue has gotten stilted - too many names and comments that mean nothing other than let us know that these are guys who know what they're doing...too many non-sequitor entries (just Brad Pitt this time, thankfully)...too many funny noses and mustaches...this isn't a must ache, it's a mistake...though there were apparently lots of Godfatherreferences throughout...
Bourne Ultimatum - excellent action flick...like one big chase/action scene from start to finish but not to the point that there were no breaks...Bourne gets in a fight, travels to another city, breaks into an unbreakable place, fights, travels...rinse, repeat...very strong cast (Julia Stiles, Joan Allen, Matt Damon, Jason Straitharn (sp?)) giving excellent performances...Damon's an absolute beast or at least portrays one very well...best of the three film-run and a clear cut ending...serisouly, the best non-Asian action movie in a number of years...I'd recommend seeing the first two before this one, but well worth going through all three...things blow up and crash, people get kicked and killed, the government's evil but there are good people in some of the marginalized positions...excellent film...
Four starving lions which dug their way out of a Baghdad zoo have been shot dead by American soldiers, the military says. Two of the big cats lunged for the US troops who then fired at them, one soldier said.
The lions were among hundreds of animals abandoned at the zoo.
Most of the others were stolen by looters or released in the aftermath of the US takeover of the Iraqi capital.
But the thieves left seven lions and two tigers in their cages, unfed for 10 or more days.
Sergeant Matthew Oliver said three lionesses and one male lion clawed their way out of their outdoor pen through a crumbling wall.
"Two of them charged our guys. We had to take them down," he said.
"The zoo keeper came the next day and he was pretty cut up, but I think he understood."
And that's the entire BBC story on which Pride of Baghdad is based. Some lions got out of the Baghdad zoo, and American soldiers killed them.
From such humble beginnings comes a marvelous work of fiction from Brian K Vaughn in which the four escaped lions attempt to find their way in a bombed-out Baghdad where no one is handing them food anymore. The lions consider staying at the zoo and waiting for the keepers to return, eventually leave the zoo, and soon find themselves in need of a good, freshly-killed meal. In the process they run into a larger predator defending its home as well as a column of American tanks rolling through town.
The tale is wonderfully told, seeking to reveal much more about the inhumanity of war than any sort of alergorical tale - as some reviewers had hoped for. The gorgeous artwork throughout the volume is both understated (never turning the animals into charictures) and lush (rich color washes bringing out the alternatingly hopeful and terrifying emotions of the pride), making the story even more accessible than the words alone could ever do.
By the end of this graphic novel, I was in tears. Vaughn's words and Henrichon's works of art allowed me to so thoroughly identify with the lions that I couldn't help but shed tears when we found them dying from the American gunshots.
The Girl skimmed through the book and thought that the subtlety of the story would be lost on her ninth-graders, and that's a shame, because so many of them (and adults, too) think that comic books are simply for kids. This volume, however, could very easily prove the point that at their best, graphic novels tell a wonderful story and give us stunning visuals to match them. Pride of Baghdad is one of the highlights of the last year in comic books.
I'm still all over Seeqpod.com because it lets me pick very specific playlists and access them from any computer in the world. Pandora.com and Musicovery.com are both good for picking music in a general mood, but neither one can quarantee me that the music's clean or that I can get the very specific songs that I want.
So today I drop down a few more playlists for ya - three of my creation and one from a regular reader.
Sure, their voices don't sound like they should work together, but I do so love Bonnie Raitt duetting with John Prine on his "Angel from Montgomery"...wonderful version from Austin City Limits...in case you need a direct link instead of the embed...
And some Richard Thompson (with Danny on base, of course) doing "Mingus Eyes"...again with the link...
Robert Earl Keen doing "Shades of Grey"...with linkage if you need it...
Some Son Volt with "Catching On"...linked before embedded...
Eric Johnson (THE modern guitar hero) shredding away in the link space and...
The rest aren't from YouTube but rather from the Austin City Limits tv show website...no embedding for these...
My all-time favorite performance from the show: Cafe Tacuba..
From Bright Eyes doing "At the Bottom"...you'll need Real Player (I think)...
Sheryl Crow brings out Ryan Adams for "If It Makes You Happy..."...again with the Real Player...
Joss Stone's tiny frame and massive voice on "Victim"...RP 'cause that's what they do on the site...
There are a bunch more clips on the Austin City Limits website, but sadly lots of them are of the thirty-seconds-or-less variety.
If you're not reguarly watching Austin City Limits on PBS's Saturday nights, you have only two excuses: you're out of the country or you've got a social life.
Other than that, your butt should be down on the couch.
I screwed up...dragged my heels for two years before getting around to buying Absolute Watchmen.
And by the time I did finally order it, it was out of stock all around the internet.
I've checked a couple of commerceaggregators, and nobody's got the Absolute edition left on the web. Sure, I can pay $125 through Amazon or at least $90 through eBay, but the original retail was $75. For some reason I just can't bring myself to pay triple digits for a book.
Today, for example, LeVar told me that there's an artist - Jeff Davis - in New York who takes old vinyl LPs & 45s and turns them into vinyl bowls - like the one in the picture, smooth vinyl bowls, wall clocks (personally, I prefer the ones made from full LPs), snack trays, and coasters. He even turns the LP covers into sketchbooks.
Very cool...
Especially since you can even do custom bowls from your favorite album.
This past spring saw the Queen City complete their study of the best views in Cincinnati - and me post about that.
